MATTER: Quirks and Quarks

Photo: Evelyn Sifton

Photo: Evelyn Sifton

There are equipment choices that don’t really matter much.

Waxed chain versus oiled. Pick your poison.

Carbon saddle rails versus metal. Whatever.

One could waste a lot of energy obsessing over such details while glossing those that actually matter. In the wild and wonderful world of cyclocross, there are plenty of details that matter. For example: tire selection. Tire pressure. Gearing. Chain retention. Well-sealed and durable bearings. Toe spikes. Dismount and remount technique. Starting technique. Bike shouldering technique. Cornering technique. Rut riding technique.

You get the drift: technique and execution of technique, while harder to acquire than carbon-railed saddles and crock pots, matter more than either. These little equipment details are icing on the cake, not the cake itself.

Finding ways to build mastery of technique and race-craft through the process of intentional practice (link to my piece from 2012 on techne, the ‘OK plateau’ and intentional practice) is perhaps easier said than done. Beyond constraints associated with family, work, our physical space, etc., our material, well, matters, because practice must simulate the full spectrum of racing conditions, from hot and dusty to cold and frozen. 

This means we must be able to motivate ourselves to go outside and train, practice, ride, when nobody is there to tell us we’re hard-core, to cheer us on, to feed our egos. On the sunny warm days this is easy, the ‘best case scenario.’ Everyone is set up for that. 

But what about when it’s 6 degrees Celsius and raining on a Wednesday night after work? There’s no club ride, nobody texting you: ‘C’mon, let’s do this!’

Just you and your material. 

These are the moments that matter. In these moments, especially when our outcome goals are far out, weeks away, rendering absent the energy of ‘last minute cramming’, what do we lean on?

The process. 

Process goals.  When it comes to piecing together all the elements – and they are myriad – that constitute the the process of developing a skillful practice of cyclocross, one has to ask oneself: ‘Am I set up for success?’

A large portion of the matter boils down to impediments to riding/training in foul weather, because it’s foul weather that creates the most demanding cyclocross conditions, where our weaknesses are always exposed (2018 US CX Nationals are a perfect example). Such impediments, or ‘stumbling-blocks,’ if you prefer, manifest across different scales. Certain items occupy go/no-go status. Meaning, certain equipment gaps lead can amount to an inability to ride, at worst (such as file tread tires in mud; they simply won’t allow you to propel the bike forward), or at best, underpin rationalization of skipping development/practice opportunities; i.e., they are excuses in the waiting.

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Cyclocross is not a fair-weather sport. It’s a foul-weather sport commonly practiced by people who complain when the conditions too closely resembles summer while they ride around in circles at 98% intensity for an hour.

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Embracing the foul weather and foul conditions of cyclocross means setting oneself up for success with the equipment that leaves no room for excuses, and perhaps goes as far as to motivate spending time in the grit and grime. It requires accumulating the go-equipment, which might mean focusing resources on items that are about go/no-go instead of those that have absolutely no bearing on go/no-go. Invest in a carbon-railed saddle that will be lighter than your existing one, or put that same money into winter shoes that will allow you to say ‘yes’ instead of ‘no’ when the weather is foul; this is what setting yourself up for success looks like. And this is what MATTER posts are about, and why I write about the products I do. 

MATTER


Matt Surch

Father of two, Matt has been blogging since 2007, melding his passion for all things cycling and philosophy, specifically with regard to the philosophy of technology, ethics, and cognitive science.

https://www.teknecycling.com
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MATTER: Castelli's Elemento Jacket and the Art of the Possible